THE EFFECT AUDITORS LIGHTING AT THE COLORFUL DECISION PRODUCTIONS AND STILL LIVES WITH FLOWERS FROM AMONG ARTISTICALLY GRAPHIC DEPARTMENT (FACULTY)

  • N.V. Stoikova
  • S.D. Muntian
Keywords: painting, still life, composition, color gamma, heat-coldness, illumination, light, shadow, color paints, palette, tone, subject, volume, proportions, curriculum, color laws, painting laws, lighting laws and teaching methodology

Abstract

This article is considered problem of the colorful decision in the different flowery compositions by students HGF in the auditors lighting. There are mail regularities of the building compositions with flower still life. There are also items of the warm – cold in the auditors lighting (rooms lighting). It talks about the features of contrast. The article describes a step-by-step work on the creation of paintings. An analysis of characteristic features of still life is made. It tells you how to make a composition of still life. The methodical material for working with the applicants is outlined. The regularities of the influence of light on the volume and shape of objects are considered. The basic information about the technological process of painting is presented. It tells about the need to work on sketches of the painting, and how to build a composition from the subjects of still life on the plane of the painting. And also describes the creation of the overall color of the picture. The basic laws of influence of illumination on the color of objects are considered. However, it tells how to correctly create a staging of still life and what techniques can be used. The method of composition execution is considered. The material on technical techniques in painting is presented. It tells about the creation of harmony of color. The features of the tonal parsing of staging a still life with flowers are described. Provides professional advice to educators in working with applicants. The basic theoretical laws of painting, color, volume, composition, influence of illumination on the color of the painting are described. The course of work
on paintings is described. Conclusions from the conducted research are made.

References

1. Лі. Н.Г. Малюнок «Основи навчального академічного малюнку: Посібник». Москва, 2012
2. Йоханнес Іттен. Мистецво кольору. Москва, 2007.
Published
2019-03-25
Pages
151-155
Section
THEORY AND PRACTICE OF TEACHING